![]() In 2017, the streamer released “Death Note,” an almost instantly forgotten teen film that sanded off the dark edges of the popular manga series from which it was adapted. Increasingly, their strategy has focused on beloved anime and manga properties and repurposing them as live-action for audiences who presumably aren’t familiar with the original. ![]() ![]() Netflix, as a relative newbie to the content game, doesn’t have the legacy of cartoons to plunder for remakes they have to outsource their cash grabs. It has a far more depressing effect, sending the odd message that the animated renditions of these characters, so lively and vibrant, were mere test runs for the “real” versions seen in the show. The costumes and prosthetics makeup are carefully crafted to mold actors like Rosario Dawson and Mary Elizabeth Winstead in the image of the CGI cartoons, which is presumably meant to be fan service. Earlier this month, the company debuted the new “Star Wars” streaming series “Ahsoka.” Ostensibly, it’s a spinoff of “The Mandalorian,” but in practice it functions as a sequel to animated series “The Clone Wars” and “Rebels,” which introduced the title character and the majority of its ensemble, all now portrayed by different actors (Lars Mikkelsen, who played menacingly sexy blue baddie Thrawn in “Rebels,” is the sole voice actor to survive the jump to live-action). ![]() Since roughly 2015’s “Cinderella,” Disney has ramped up the release of live-action remakes for their iconic animated movies considerably, burning through so many of their well-known classics like “The Little Mermaid” that they’re now producing a live-action version of “Moana,” a film that’s barely seven years old. But in the modern age of streaming, where companies aggressively adapt IP and brands to fill glutted content libraries, animation sometimes feels like it’s being treated less as a completely separate independent medium and more as source material for inevitable live-action series. Disney first did it in the ’90s, when their classic ’60s films “The Jungle Book” and “101 Dalmatians” were turned into big-budget, starry family films featuring the likes of Glenn Close. Taking an animated property into live-action is nothing new. In ‘Carol & the End of the World,’ Freedom Is Just a Happy Hour at Applebee’s Away Essentially, it’s the same thing fans of the anime are familiar with - except longer, uglier, and not as fun. After some onlookers pester him for his treasure’s location, Roger gives his speech about the One Piece, and he’s stabbed to death about three and a half minutes into the episode. The scene begins by swooping through a bay filled with CGI ships, before settling on a town square filled with a CGI audience to the execution. The Netflix series, which releases all eight of its episodes on Thursday, opts to fully dramatize the execution: Roger is played (inexplicably) by Michael Dorman of “For All Mankind” fame, caked in makeup and a fake mustache meant to resemble Oda’s original character design. In the anime version of this moment, Roger’s final moment is handled via a roughly 20-second intro to the show’s credits sequence, portrayed as a series of finely-detailed drawings on a long piece of parchment paper. Before his death, Roger told onlookers that his life’s treasure, the so-called “One Piece,” was hidden away somewhere, and whoever found it would be his worthy successor. The franchise is set in an unnamed world covered almost completely by sea, where piracy runs rampant thanks in part to the execution of the King of the Pirates, Gold Roger. The first episode of Netflix‘s “ One Piece,” an English live-action adaptation of the long-running Japanese manga series from artist Eiichiro Oda, starts off the same way that the first 47 installments of said manga’s anime adaptation begins.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |